Quindici 1969

Quindici/XIX/17

LDESEPI MOOERTFI IE diADRIANOSPATOLA •Il gt-,iti poetico», ctirn diLucianoCarusoeCor adi) «Uominie Idee»,H. 18,1969. CtioOn UU eIC n mi q 'aun bea tost ra lo a p g zoz ia an de n e tei l . a pS o« iae n gt ui (F li o i an \ av ca " l u pnog su e i»a s c i rad h d ia e 'a ing v au li « nn e ga s us c ait luu rd sai ia tfaonrni (LouractiaicnaoaCcaarupsireoel eCraogr aiodnoi dPeial ansccaeslttael id) neei ci luorrdo- caobbniar oconnti. dMaennnatreti ai nsoencof anrdpi sairtcehdiedi qouneostcahimecporsoavvl ii sseantazéadl i t eeg, ili parl itmr i ii lsl oi rer ondlaovnoorcoonnotonchitaenseesnzuanl as ipgrnei -- sP ficai C a «t 'I s oa c .p N oen er t taa l s t»a u o dla le ilu c n eu to nltu t e ) r l a f a a a t n icv e oa c sn e oz s ca s ata ita m it da m elial ni lan o va v o e d r ras o ov ca o la min pfo ma et ie - ti , deSlai trricaet racad«i toi ngbgiseot ivgan-odrei nauleo, vdei usolnaluzlOi(urinnai. con c«rpetraivadtai s»a, alvef idzzaatadaal'el psopzezrotasmenaznaiproonladzoiondeedl ai aplcouensai i —v «ap np ipn e it i »G r l ( o Fiu r z ad io nicc , i n, o P o Fr ne om so rt ioi , n m V i, a Pia pr ree eg in r gF ioio o F) r ( iu t lein gn i gd s i) i c le oo g n g ( te a Gs qtauz i aoi o nnt - oe s1c9riv6e9):P«AierFoiuDgagal i èmsatantoop(-PreameiasetoSi l epruap-,il dI Seicl uomg lei o spotaettaoeri, csaogngicishtaa,sdemet porel ui ni satensticsipo,oFerai nncaovaFnoscrot ipnei r.taI l sfeutalmmuetantreea( l esiuteomagpioi, q, udeidsatatvicooltaeedraompreinsaetonrtee,ppeerr-- steinnoornteesi tcaoanl al i ognrat izdioesisl asimvaarioapninnutangciai utrrici ae,(cfeapl aaRceAd1i, CuasidisitlVOlta Ile' Illalllpolare a parole la poesia comQueuenstaq«uparluivancqyu»eddoestaetarscivoom!).eimpegnonela lava striicmeadsetul arbSa,tmoraia,si ni riprornoddouncoen. Fc i pinitùerseospsara. Lvvaivpeo. ePsiùai di\ CntIlaugfgicreiaslesiv,saenmebiracoinncfrreodnibti dilee, blmuio(Mndoora. rinun caialFtoersootismltanoto(?a) i dgai Mroroarnai vdiai G:uuumtuacsoomsuelsFc-Urivenriteit»l ao Pririaurotaal «i tcrauzoolo pèroamnceoteraicounddi cerel iat oto,rCeodse' l il'ul pooceotacocmhe Sp tia ie mcu uo o nal s y ea e nl z rPo aa e ural n pm o' ro me pn b ri to roa a ad t l e i a s n oT tae r t isr oz o aa c lP h e ea is gi t i int n ua o z) s. i oS tr ne i u i a ( o dc m acel i a nt- i ipl foatliotic, ilasiccoolpmapuonrtini èoscoomltanetoerdoei oi l imb rei drici i lei nt ulorat adceolen deeli cmulteunrtaar-,im, I aeanuci ahteeeggsaiompraetnutot omdsietai ngoosgtciri o«ueopmrein- i bteusocno-l si vaecel ordoretatoel rcicoos.tiPueisrccehéuni l cSomileondtioissèimpoiùasl i ubci edr.i dtuetlai, pPearcrohélaa. Id' ,olpaepraoelaspiaaèroi lal spileenr tzaiocepreiù. sacro d i cineDmel ar e,pset orch, séeFDoar tni niei dl Covorehbnb-Beevenrdgitosgi nèardsi adtoi auci -l cmetoararelismi i P() prei cmc oiol oF-bi uogrgghi ?esNeochnai èmi at cnadsooi udi ci af aurseadgel i l oCsacsetrnoi pl uaoggavhai ci noludmo nl adr i el el ' o. i rnme si dt i t i ec udi eal \aevcaoboisreongznao.

dpeoi plitiocei. tiIpberiscohégni paoaemtiumsaenteorelecslumeoqrufieedsetogclinroewa unni nNooton' \èoleppeurnctaosdoi ,cdounntaqtuoef,rcahl ae pqoueessai taeal antoploogl i t i icaas. .i arapprepcreosnent i tna tiel mstoodmi Aenldt()opBiùraaibl t oanetia. Blurcainibaannteti i ndfeal at i vmi t i moraale.cFoanmtemeqpuoaralcnocsaa.Md iasni moni l ecoamuen scacsr i ot ol er et e, croamr i oe sperurvdeesnotelocoadnipalpicritiirgdlei lla stradadela' mmiccante e mileu culturale,cheha bi dsoi qgnuoedstoegl r ke•neer breepreo rdgei ul as tlui f i ceaer echaegeli omcacnhai ddeaI l etrapgu,endteie aidveaonlozagteicad, eel ac i osèocpieetar riml a ept reorep ri i na agsioscooludtaecl earecanzrtea trucNcaonteo.stante le apparente,dunque, la poesia di pBoreasibiaainnttiintoolantpauai)le«sgeesretoc»osleonczaatauni naubnu'aonnato(lologseia ddii akmaamamaiamminnimimmmmimmmm àa aà aà aàaaaaaaaaaaaanaeai edl eat aa cb ob cb cbob cbcbebcbcbebcâci àeâbâ ee de e de e de e de e de e dc e did e dc e dfr ei dc e did e dd e dlc e çi ec çl It hf tfwr hifh efe h et h eifee gd e g eb g ea g eé g ele g eè g eè g eé g eé g eé ln 1ic1 nk 1i nc 1e1 n 1lfe n 1lf I 1e I 1 I j InI 1 I 1j I j 1 Iji I 1m I 1 I I 1 I i Im I 1 II h ImI te II h IuI el k tihi f 4o- 1l 010n0n0n0n0n0nnnnnnnnnnnnnnnnnn E lp0P0P0P0 P0 P0 P0 0P0P0P0P0600 06 60 àz iI rsrsr rrrrrrrrrrr rr rr rr qr rqr rqrqr rpr Ec Issssssasssssssss tuSuStSt tSt t tstst tst tst tstst tst tst St t tSt tSt tSr t (3t; yv uv vu vuvuvuvuvuvuvuvuv uv uv iul üuuu tyyyyyxxxxxxvvvvw .1411zi'oi Spaiola cShoiaprirmat uetnot,i. aEnnzoi, pnesroulonpproebr uel nmaaqduei csotionngeruedni z(alaftrea. iEl tmitoiloloVeil iate, si cti uraipcoceomlti. iLdoi tsipte(s) spoodsistscuorresoalisvtaalerispael-r gl oonl i ,ochael asfi i ndeeddiceagali al anpnoi qeusaiarcaonntac.re0tapdear lCa fai nrloe 1d3eelal gGuiuesrealT. Ahel tGr i mugelicnhtni , pi oeErcdhoéamrdaonCcaancociaRtoeren?atEo Pael odraio,, qruuseol dnioscnoarvsroeb- rbi l oeskesni csoo, «oasptoprliiccaot»o cal iucnsencl aont edroi acl euet caiaunnopro\ceesdse()re;tntucot eraleinicmorpsolicdaizciouni sio-, losiorgivgei lsai cinovmecni e gimarepolertante,esesenzai el l.eN«oenstacnlutsoio, anpi-,pquunaton,toppeer srpie- eli- Ibl iatol nae l csl ipmiaeaedveolel asneunsoavzai(mpoeecshiae, neiecnhtee sl ei a«ccaomn-- vsceonmtei poael rsnecsoiaanvoaanngcuoarardaistciethivee- eche Caruso a per Carusoliuuragionequandodice che -tentareun dtesi sctiocrluseoccormi t i cpoon(ugnonaogqiuusetsirictaaazniotonloegdiaesl aignscificealtauindsui i carele ragionipercuinonsi trat a d i poesai Il d oli(11;1 C0Sd p i Ù C011)1CSSOeh(' sì1110VCVCIS0 il ui iu naiu(101dfusione dele e quandoafterma ch e stecrarit , t ru ‘ i Ioa r am p -o oa g e ;iz g s io la e nt t e toe n -. d, T eg u ae n d as e \ m st so a e C, re aa n ru od s n oi \ s pe en in mire e b s s rea em d re imp i/i roe e pniùti tcica(re) schi peosl esoonroi gi ti nr oi d‘ ai rqeu.ei nst()I tsaul oi aa, itseugdgniamel aempooecticrai - deiNovissimi clic licite formulationileoriehe dei pocti d e l ( i l ippo70,e ìfl particolorc di I - 1)0110 Pir,1101( P C I MM;11111011ks , 11011 N0110 111;11 s t a t o troppod'accordo con il tipo dipoesai iNi\apropa geli'amndmatoadginael Gmruipspcionb7ia0q. IuInasteisgermazpiorenreisoIraltaldaapqauroelsati aricuotrodrai i lil l dpireegzgioionreeolu un patetismo didsit ico che engagement neorealistico. 1\la dneesirounrio/Opnmte)' np0ebï.,qettier(.0‘ eClioO' mi l l apti owdna) Loitlici asmti apuail iomnesniato interessalte. Ill (Wil Caso,sulpiano puatieo, essi halm° orgailt/lato illostre e dihatt iii encandO dl o C O I pl1b4lie0 s t i o stesso ter_ precimco), ole-brinorughnecsiaen) -daouerasp- lelicgitaamtaeanl atenaol atiomn(' idtici apo(oe-

tpci raomcesenotec,htineacruelmaziionnaenaelc'oargteannaitdaizmioneetafodrei ,uunn 'Hmomi ndaocsot nr apyeorl tsou, ansi ai \ arigcoornoesraemtezeznate, l caaur esaaWle, ci . hI ei gfiarolotegsiccaocèh,ei sl iq5u\ eHsuti pt epr,mcomi n i e, ut innaastaormrtaadmi i poesrt tilroo sa,erodendo i marginidelrazionale. cre•aI•uziotLni`iiad,isJealarryP, Uatbaulisriaepil eprLeinsdendtaesl eenpziù'ombrbil raandtii ddueblabsoi uai l onpoedroaacpepnatrraenlete, md i reeniteqcuoassi i vi al briaareicednistero gpuerasolen.CaoggnicI .hec, idient rtoiric\a¡MnHdoOsdi iafropnocteoaaupnoocodci oqnuei l i loroautores i i i unaspecie di imprevedibile sim binpquaiertaanstesci toanr ci are, tefinziszacoannoagprearrieaac.qSuaisretabrebeu nFai n troojupnpoghraiacnilei, p, imroppieogr aenUdobupai nramformetriaandtroi dpeomloognicei cctoonl eiot ivooy, epgeer teaslee, mopppioulr'aerccohnestipideormarloeuyrninkaiarcnhoedtipeol Jt « a ma tor ay i g n-U o o vh n i ut u a, d ìi , p ca o i l t l c 'ap n eu te r tmo »r ee i t l es p ted ros i c ss e oo s s la s p org e ad tam i r e ide , e inn m vtee if c cae alim , z d ioe e nn le e craurdioicseichr aevdaincni aoubetonboioltgreraificl mheoddeelol pfoerrnsicoonaagJgaimo, - dcioaèl s,uchoefaUmbuigesriaatoi l pprororedsomt o)red iduni lai cinedoa. gPineensdiai mnao-, ds tura c ram riz pm io re n a c i è is (l a eu mn i sa e o d n ge te nle i a e p u di tùo e ac i od nn e av s liti inc id ac ee r e i n int . i e c fa o clam nmti e li o r t ra i ofes lee r , i db i e i l li - c a po q lmic u ae e z laio lo n - sr i ae tas d de ip i oo ic hr da e i l es , v-. ihPipepr loecshueemFreacurodshcoapdci heef i nimi t o L'ainelur (1/).\o/ri si delinea, al dloirJaa,arbr\bpaisùtaanzthauime apl rceieveloddibiilml beun.teL,'acozmioneel'osepreartaa del' I 'hu roi rappresenta, a mio parere, i l para desigpinrimapeel arfescfrtoendai taaztioenl uericanespaensionl e dseenl «sopcrhine csivipaioddisetlrpuiat ivceitare. U-, ibnutuèt auolamsuoa«eagsosocluetnamtricaeensteplol i -- hero» di realizza quceusi tcaishovarupmaralantao mHeegtaefisl, ici l aScaotrnadpizoiocnhee aunprlaeztoz,oCda' eni lmuslisbceoprtrae ndei ltou-tst itagtol i saal ttrrai .pMicoe»nl atrep. odsa sibilitàèdl ai ucnoanc\ luitasaaeusteenmticaplifecatrzaiognicea,,Jdai rcyu, si ul a cb lino e em r d tà e d« lam e to l oa tas dt l reo e r ep fin gor iz l e im i s o so n ior ef no e f »re , ,e us c d qo i u ap i n nre a d n i d lae el l'an l s e bs v ao r m olust ba i, t in iel oi r ct l'a aiu t to rol r I et c) oe dn S i n C aiptr ho a ate p pn o li tn ela »c h (gd e r iao gg te ion s co c as a ai c p hp ae a ro c la di ia crico do nr i d i t l a i n mi laDppiat -- mla sounadov),epretigrincousi amIeibnetrertùC, Ualigbot i lar i l pi sacgea cpoenr pl aagvai t rae ogniURIcapricciocondelebussee dele umilia cz fit r i eo tos nc d i. e a I ren l b. C a rea ti a plig l a t oa nla , n p p i. eerrisel i beud i lsapavdean.Ut mbuovrtieensearsecbobne Limroi è, in ùltima uiaiísi. un invito auna conres oi necolet iva dei propridesideri iii faut m.il sdoeltlat unttoodea mpoi csehmi, robrrsae, q, ueinradtici,opsiuamt oesntotem, saunpicehreaoti / le inlo s ten itn ne O d de , e r a ei mtiiriap en e n rns o o i c c n hh a ee g c h g iaa io sn c dn u i o n l in o i bf ed us e i t ua n ut oo ne i, i c l la s oe n pc r li eo mlo rig i pv ue id ran a -- ccoeelerbernezaa,rnticoonlovocaglitliOa, ranial pnao,rri icdoni Mosacnenrei mnumunHsi tul eor tinaInpcroonpcrluiasione,mentre i t trag,ico- èsempregene rpaiatocdeareu-.ni lcgoroatliet osctroadi l i SJuaprreyr,-iodeel i tl u«tpt orinacpippiaoredne-l cs W ocna h tul eli er isin cse u t a ed l a is s t e l a l'u n nr st z oo e t dr na em i ot iu prg i r ic inh r c e »i pe io o d d n ee n i sl id p u i ias r tc e rue ar t e li i s \ »e ti, , , ela realta. cluetrasformal'onnipotenzo, infantile ono/Folk:a (ILL' smi.Ildrin1P)len" 12,Cnel.dlii"tj COIlditi011e111;11d. I li.I è iuievitabi le, d'altra cu ph u a uiu r cs t tia (',o m c, rhig crè eid V a e i ml 1 tr 1e a 0n g i ten ic r( oa ) pr tm r o ev ae el s iz d ez a ma uto p n, la o o rev se , m p sa ei za n io p tr eO te a èS t S r d aib e leile l ptuai urini omsiepaivtazbioi leracphperei sl egnrotat eti\oscaopdeertbobeaimespprreimveedrsi-i bile,ove al acausa si sostiuisca la sorpresa,e la realti in una' vzeionngeabnrouncidataatasemmaprreivissst i luntaasccoelreet,siveanmzaente svi pis Lrpi t icin pcu t ioi. ), s S d e ce n r li i r t o tao nn n nte e e, g l'an li v ce v ul ea lt in n to i t u i at raa nl ,e n i ddei ns l'Oinibto eit c ioenne l to d, ecag - li roi ci appIrC ',C1111)1.(' 1)11111011 collie un'opera pre- cinocr uitriici et tdeeal tlreoamn(o) mdeornd()ei rnnoc,mi r ;ai scouml neasucnedreraamvemvaa gsioiantreo.vato la SlIdpiùcompintac stimolanteespr(-, Grammatica3 KintorklormowiddCnit) k i o i d o r Hordini Tahiti M01.1(1' KloorHundriAd ItoinhardtV' olvoAtrioTotanooloTrozzi

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pveizriocosnuil)l aat perroes1ti3uaztisiotan.eI (liel vgeioarnvaelisretadcehei »fcaounntasteisi.. rfriparoi (rluurrsf ti,t npie. (r'o(livsei nl ataproeeasgiag, rpeessr siyoap, èracvovivs(tr.eret,aper ui inasturbaisi, Il quespt(r)ogbioleconicaoèntui pt oronperi ltaesteicohli. I ( ' ac ompagna . .IIlatiltIlbati011e Sitit'Ve c o m e masturba/jonc, e non come sn I oc oei l s lan tra , ta s s e( ole (1 cle ;1 i(' \ t \ r i ( 1 .e C •a0 h li s c i i p ov r un a o( ti l c l i etio a cn lu L ei d i m i el lpa a u s let l) ut l) te r li l) c ar oa tiot uu n ur ea fbi lon ui n i e.0 ela- rarianonconi(ss(•ai(lalomacomedlioCt'lMira at1101.01)resNiole si sittu oli thrill() & l u i t IM1111()tuvki;1 (lt'l hot. ulti 1101 o l i >Wal() e oli oillerl;) (Walt'ViVi;11110. ( l S a l l ( ) le simotrks