Quindici 1968

Quindici/9/VI

DBERLERCUHTZ AE NATLET R• O diELIOPAGLIARANI VeRcuhzioan(etl anperl'Oimraaz) iognl i sepaiel gCaacordsinaavlCuoorl ndai rreo cqaurdeinl i cahlee: cteonngtoronl'iontseurpl eretpaozirotendeeal uPlicaara(d«isdoi , cvhueonl doirei cuhniamgraianmsgi oncoarnecrichceori », c)h«eCi naqrdueni satoel mchéont duot st i i mdàopri aa i mceore), ,seecphpeuqreuannodnoamvueot er fe (apteor - lat t e ro pd ppo e or nta b tr oè en spp e er , aa r n n og d ga a nt tae i v, vd iao ir i i t l ea to sp cin ear Pr do ain g raa nte d i b, is e u o e c , c on . st rEa e qPuroebsotabvilmuoenl dtei rl'aevCràarredinciataleta, chl uei sscteasrsdoin,aaad. Aetsuotloi ,adaridvearneticaol cnaterdninti. ale c al asuacorte, DeBosiohamesoinscena i duedialoghi cPamaral pmo(e«not deRuzantecheieravegnùde Il reduce»)e ¡libra, comefossero draepel pdreuseenotarati aziloanci faonrtenodaepl Cpuonrntoadroa, etebssrauntoi claovonrnoefrtviao.Ci l sousoì nsuopipveodstoiampuobbi l lRicou. zLaonstepaetl vtaoc,opolecècbaetoliscshime soeenGeal puacorlaMcoanurri mi t a rodltoob(rlaa Mprimanaevpearsroilianmeopol oi èstedsi poaiùncdhi edupeear fannrei fuan). ZPoo' rdzi ni feeshtaama l eRsuozfaunoter,ai ddaesEoincahuedLi l audporimvicao edizionecompletadel teatro. Elvincomte m'1 bailev,ei (ppeerrcchhéésneomsepgreitseepèadfaervtaonletnotécode' af' aser vorae), si è d i voi l lovnintàodcoi mf aer ml oabel e,evpi (eprechrcéhnéosnesmepnree pubfar tantocomesivorebbe), el fa colore edmu saslsaainngt i upee, er abduotsa sot.i zEa' , vroi npoab, roegvnuatoeagl ' aai cn-- cdaomcapdaomnoenat d,oddoovse«ol e, subbricitoiomle deetolpnaonei ,qpui eadn-i ceai l nbcehceroo,!,ei t edivl eenbtaant oapgidl i eo, c«chcri e»d. Eetesci shcaepspea, sdcearptemanpdoo?veiAn' enla' acraac' ganroialan,ctohletossi usutianaopgeior!- Nmoifnoassverecipardeusotos].uneancheunocchoi !a [se Temen' caghi: e il feli cis imoZorziannota: «meneincachi»; in - caga r si be«f ed»si g(Bradoacrerio»3(D3E2I)1; 978),eanche«far- incagare « parum ctauramgrea,uianrddeitedreinScaogcraatevitqdui caimt u rS: Mocroatretinseam; eo areltr»o,vseec: o«nindcoadguaeregeol t spseetczdaerel Fporleonngoi l cr eurgai -- stratenelessci odele Mac herone 339. Non pinùifiscZhoiarrszei,ni ncea?g,maracreagloerai ul dgautaiveloaefrevugaorlsdeirnee, Sproocpraroiteccaaccaòrecoi nsìfgaacgcail iardaa:mneesnteuni no pfaiùccdiai acalanmchoerri ted.Fi raapmeecsei hsanoenmoselardrgaa»to. Elecbheuqdueelas. ti hoideachemangeremoanchel'edera, io. utaonmt s o è s ecn a h ia r e o m n a te ' do e srti vc o eh t n ilee te s e raum cpoien s s s o utèm tile a e , pc . h Scih e oé à t a p ili a le ¡ rea c ram o m n, - spuarmsalaat,icfaommeecimonptaicdcniaati a,èl sfuomloeom.Noignraètas:ccoomnse. imni(mpicacPatei arnl efuram&o,la'edsetas pooptreabrlabedroepgicli inchdiaiar-- mEi inlatefustraia).delRuzantecontro i suoiperso nt aatgi , ngoi.hnagral ighoi anceavZaotorzt ui, ftinoc,hsaénngounel bi hileamsveurod-a, nonl i mola. I l granfinale«apertoadela tloscheta: vatopadropnueta. namodel vivere!,hannotro du nvi Lc e oal n ss ta ps re eci n toa o d c ioe o sv ol oe d ,a cov i D mer ee e Btreomsioiladerevpelicdhvi eendetavree lA' rlecchino. E il ve a tu gtnoo i : l il suo spetacoloèunpo'troppobelo,nongli stia taalinsociuanrepi ol p' treolop,ppeorcchoémqupeiai scuiuoti. Ei bai l l edtéi cr i sour èl - usnivop.on'einvsaodt eonlintee:ci al ososmtridaoi lroe,faocltcreiacohpeprel as conBteremchpt:ogrraanzeietiàa,cGolRoduazrdafontres.enonappari ò pf t p og pr Gn se i ès nn cmuatl usraicfraen, dcei nseo i l,oehl oa rhicaeavcutoomi npdagonsaimtoceonno qthuesa.teropcaogl lani evo—romdai Dchoerpt;aègcinhee—dadni Boai èr ssetamtopsreempeprredaireppseemsapnrteio: el oaslepenttaactoo,ol emdeicnoo priceosradnatetedugni àqup ieùuni pl sou' poi ùs obrei srtoodl ceinsecose?:—n«oen dtoicao—l o r ocheecrcicoo: rdI osuè dUi nnui eomnoonèf autneucoi cmono-, dfiai nDoepBercohséioag; egcui cnog, oecahdee,scoomduanteqmuei ,duen l pr uof ' - mBreacnil hctoèneci anmtraetonetnceelsraton, pgeuer(),hnaefl anot ostrcounltuorrad vGivraa,se,i nnoonnèèmmeeritroitoppicicccoololo: c. hdei Sptroei holerar ee gdiàel doar onomi nmpoocbhsil i amnon,qi nuoensstoeèngeipàopsi ùappai ù cifico). Neal giungladela cil a è i l terzodramma diBrecht(dopo Baal equasicontemporanea' ment ea Tamburinelanoue), cilavoròtra i! t'2is0eei ani l n'2i)4: e(duranpqpureesferantai pvreonptidrioueuneoi svpeanr-- cc tia oo cn n qo os u scc ee ian : m edo o mn n ee ei t l t c e d a reu s oe in d v s ee c l e lars n a anutni,coomspearntiacoqi ui ei Guingal, dovrebbe essinteersui ant ivlaavodroi traefnats'acninnaindtei ,teunaatrosp: eesctrieemd i i ee tu cs ris hp m i reds o is e r ioo cn m uisbtic ao o n fdu tic teu ism r l'Asimz oz te ou d , er eo N s Cc e oa te cv Sa oeil a l r c reis h, ve cilh o f ku lto e- ti mpaogiauirnpaecroopspaocsoizsioì unneiv,eotecaaterolineepaci ore,c(heennoonn mpreisnodrpodreandSechaaf acht oerlci nheBourseiler, l o ap- Rinascita. metendo inscenaannifa inFrancia Nelagiungladele cità, beckaebtai bnai cp, aoftuintoitàsoctoonnil seiagrnneificcaortsii epmonodednuzil e becketai n:i tut o i l rapportodelgiovanein pteelerntuoanlevcehnedneoraln, vuol dire lasuaopinione colmalesecommercai nte dteirel mgninai temai atraDli,epnu-boitd. èi r suinberacpkpeotai rtnoocahvea, innt llaetteren,dpae).rMnoanpdiùirechpeoui dnaeci deurtaetpi fui nlizaial i snoetol o scp'èe: utancomlo dei Critoaplernedcais(oa: lcVhael endoni Rèomprae)nteonn zseoi nstao.pMi ùau,dnaaupnrimceartol eptuunrtoa ,dcihvei sut an, roasppperet-- dtaicNoool n(enpisp,meràaai l mnchaelesneestlaasincepnieadci, ievolael svcaennoa piùAinlovreanrazgioanzi, roa4g0azdzoi, pl aiùri sinevmeni dzioi cni i)i .l tuo spaa.Nrereos?uDquueecl el i bnrtood, l i borl oa rci ,hraegnaoznzmo, il natemreisa mv in it v ai n is p cte e hreia r s : i s l e atu .B E o r e p' u c an h re g t m reio sc mi o u a. uq n u i a esl cl i obmr omcehseancohne ritmi di un in- criporenstraed, oi rbaoaxsee: egnasni pdoosneounnoaindaivl ' uidnuaoreo rl ea gs au oi l p'a vpa lto n ron eg : B oe e. S l r a togi dl fnin oo e nr ? N o k nic .o ph . t a eils r cm te n g ci o g o, ias p'a . m eccr e eo t n tem t r d ao a md vai. bI n i, l - tpi paretegr pgiarimvui laosl duairetesctaheeni losunostcuemgluielt,on;neol an pfaiéccceia. lfarasui lagpioavartene. Eel ai l mtenasleoi snee:ndoenl rcahpepnoortno bfraigui ol gdoi vi uanneaepoi l mssaibleilesereècfoiprrtoiscsaimaat r,aezl'aiomne- ocamreocsheesburaulecqiaufisi icr ai smu l teannteeccaensnsibaarioles, acas,qi guenlai f i - tteuntsioitenneddoinaoletaiclav.uCoetorto. n, deiel atro c'è i l vuoto, Giungladele cità, si driebbechenespianocheneaten sn Ra e ur à to z c ail h n d e et i .a E riele p stc eo e rò p aa Dd d eo vi Bv ea o nn so ta oi , m r e st aa ia sè a p s t r e oo n ,p tc tor ra : r r e oo g p 'ol o a no sd crah ato e ita, ps , ae u l Bc aer e al rt r ru t n on e ldi, ( oa m ) n ( ao è a a o nv d ce a hr r m e d c hs eo u u la

CUONAMVEVÈERBIO DI TEMPO diANTONIOPORTA scoiamlzaesniovcooltamneossi aiglzuaanrdoansoi sceiomdonesoiderubano sitoccalzaannooconci sisei donosistringonocome pasralconnodcoonmoleesdi itraitirano si alzanocotnena tacsuioalnobovocltaandosigravandosi I t l i t 0 i l peso comdaensopurganobagnandosi i l pet ocomegri conrut taesnial oscai nosialzanocapovogl endosicome sippaedral anndasoeadlumti icrofonocontesalendosula sbpotuonbabnlicdoosicomeappaionocon i l pesosul csouml deabvaaal nnticoogmuaersdbaandgoliacnoomi el prdi asonaonossi ei udrtaonnoo ccoomm goe e n n s oa asvil caonndoopneordaozl naoncdoonsi icl escqouminpteaoi l onoe s i - ccoomnt eegsui asrtdrinagnoondoercuablzaannddoossi ci os ni sicieds oi toncocano ccoommeegpraavrlaannooaslzuai t endboocsi sauspl eudrgai t anpoecsoanni cdossi i conp b et a d g es a n n ai c a naopovolgonoal scai ndosisalendosula congtliaensoisbotonanocomesi urtanononsisba scomparendoconte lo esigonolo salvano CASANOVA romanz o d i NANNIBALESTRINI 2.Utilzzazionedelsuolo straQreuleasatrisspeomstapgliceecnaemraleedraeèlcionrpgoraada'l oumd i menoto- dteni msionoeltisdeesguliaeel f èect nili oci sasmerveanttiedcaaWratslieoriznzLataa er i apel i ar cl ' ionsf utruoirrlai doci cuonraoncroespcoecnhtei aagl t ritai mzioantee di m r eita oal v b c mi a iltpà ena u it cn ntià v a od c lo oi 3 n p-4 t p a0 ia ri 0u d g nr ia b bm a a rm r a a t i t or toa lo lpi di dd i it i à v la e d t t re a oi uinnrpispiccooslotapaezi liovedli tui dboi tednsigoiomnemalcavuonloicnotarnrio sm peos a n Lsu e aa n dl t ip e sin e pe r o l iam s zi fa p oi sn iae e n d a ti i p di e p rca acr u uita mn lic e i ee t sn u uto n o d c p oe a ml olan g po c le ni sm o o- apùili'nedsiveidmuoprechpeerer caogsisctrueimre ul aovceanmdoerasi eSmi tpare gleailensotrepmiùitàindefriebtaarastootloi dla' i vzeiotrnoeinsmtmi oodal nodtea lapasscaiaarvi i bl aocrdrei psceerni tel cteonpseoi rcnheoi saesv i tueaSle ieunsi-i ds c c he o i nl'a e op q sp ur i o ta inc gc dio l i i g a S ra l'i i ds na a izdl ta i aa mn leo e n in c te osie n lem u lee n n ip d te iuù ce r a ac roe p zp id ze o er ednisceorgiicnopeodsezi coi isnoemceonvmi traelenmtouVsiacodal areepsrosgi uren ddasi claesnciaerlaeufansefodroi eccircctioamlateeni ntoci numi sai nnoei traa iLl ochsiai ni rsoesersi gcneoi nclinunicocodr isepl'aounmdeenntetoddisictoondoi sboratcileiamNuesclaolaretutreaulmngeatadlicealseugcamesbevi aemdeenlete stai ariaprdeeal tforanvdeorsodui unnaocedretai bteansraiotnoeli uinnvof olorna dUenal dlimiamenetotroddeel riltammouèsscuolaf ictuieranatedpdeormacni oa-el ginlievorelounntabriounloenlaemdau4scomlatuilimraUentri cnoitrnotrfaotriloe dineteldrcai omstaeletrocodnia1u0mmenil imtodeetrl irist ni aoprdenii rveescpei rbaaziorantoelonLe'al alimpaernette° dceil nl todnricoamduescl ooalstreesdsoi - vèednitaf icclini l eicasmi treant tae lad fioersaetugruaireddeal vl aetfriolaNntoen adivlaeprsuenintatadcceai ptui eredrei caogneunndao lima l ai v ae tl riai enl egvoalot i dtuibteentosiodni eostoenseuIamel suusucnoail faecsctriaelitnsitiàcodnitruagn gdoi dnoeinnteulantuscraminisvpaoslomnotapriaerpcereracruvi ui l anafrosonrttee sni aelgmgarontadrQni ouLin'edsipsrei àsnioconreasi 'inl tduubreistcoesetessoi pruuobtaarveele' resatrenmcheitàudnetral tupbaentooecolent rlicaocoenf tarar zinoi tancesaptuaresticaal adveelalomcitàusdcoi 4lat0ur0apgoi rrtiaanlte'ml e otrant°i l invtoertrnoodaal faobraorce aapl nplicfaasreeanveanl azzaotancaol na bcoocnataStoUi pnuabmaispcerirlalafaningvoosloandtairciaamrboerunntedunmel dimepl no1st2ad0aapl bpisaoregnnoeelaaredsdpzi iraoi znioantaecaofannancqousaa OneAc oqrueemi stpoefendori emaelntraopsai ancooml'ipeparvgenanlt'oilaszcioil-- slaezmionpreeumneni nctrreemvaemntoanintevnoulotonutanrifioordmeelaqpureass-i csioonnetradzoienl treaniptaenrcoossintaoel asqi cuoamndpoievi liaritmviaochdei irel fosprori aatotraroi vgeui rsnagleosaplmesaosreimdeolnveeltprorimI I roitmbao rsapt inotalodcehl ebaracpinporemseanstachl aile ecaa ' l mdaet aramdoevnetol da i efesmpamnsioinnilesevoenraoeinpiziarolmpreiannteeladpoavruettei adla' i zqiouneelo dmeelsetrocdonedimobuasrcaot oil vloolSoni ataprriepuenrafoumroednetalredial a ed tesn i as s d o ios a n tai e a m dpep en l licd toa ai U o mg nn e au tr c on o od rt ad i 1 tei 1 q rm ,5u ine m aszti imli io m noe ev aim tri A veit d enti ezuoi nnigvoiulonntotaariegeomcoitnousni ianizfileiatnaotucroanmcoasncthraio inpeurnl aaseisteumnaafzileiotnaetuferma dmeiinfailesncieml 'aultsrcaoSlari i agapmpbcil eaniel claofal soeddci el pcaitloamnceinnotoveosloopnrtaarl'eiosatrel e gmentiàzdainevlgoolomntitoarLiaodsii el t i pgaopmeerincdaicnaci roaTurna'et es-i cnountoa'l ol umsi nesnetroiscdei qteuninsiodni i el codmelpalepsrimodaelftaubseo aAtrcl auvneerspoei rl abuamraet ontaloreel al o tesni àsniocnoerasi ongqgueet visato nlevealmnoodl eogi l aums tbr aetooccoonntral ' aggi uot onodspi aadseticasivmoesnotel dn il o i rta n ipm s o eer v a s op n bo o arg s p ee e dd r 2a i g im m omu ilm msc eo aUli tdri Ve n ei le a n c no e es pc loe o md i fis i s ef an ilo t troe aadlfodnodmoininatelidrneoladcaemleecraondtriaezspioanni dsioenimeeusimco-li masuombeilzuzantobauilognlucteinoi Psei rreu'l nodmeoactehneuntaeel crmoiteo nz tci ioo a nc c e lah dai p i o lue s n b zi a oi ra s nc o ec r s taia o ev d ra i ci s og ta r n do t o em n L cit ci c in go o an s m e l'ar b vp e o 1p n c olic ga d i-- i afapt oongeiol aEst' neescaecsaamrioepraesrcviòuli npepal rerestaunntenfootreo vunotael pgpraoddoi gdoimtenmsaiondeamtoupsecrocal hreui edearpol pvocil alorne md tar e iau l'a ms tcao e cal n cr te o ec L od 'aleu i qg m uae e q s nu t t e oin c c od o m ni le' tr ps a let zre s io sm n ivo i vit àd o e e los l n t toe tar nn ri o ea dm Asi gp in go a ui sn licti tevi o oq n q u tribu e ua le issl c dai e es pi c i gh e leu r cm teoni o ete lnt i d ga ea u l t i u n r be n ot oti tae ad v ud o no le cin do c an re i l vi m vene eien l ni to ted d è i e ris ra l p l'ap o rpia sret c as o se m ens pta s re uta s a si eln a i L q n au ue fo ns nt coa t se me pn es iù rea d'aria neInlpdroesfinimitvaomnuemnteeeros:tensbi eli

dOonraoansoi samentegool samente i l risucchio. l'artistico, qui,ragazz,istanelogoloso», nel«furioso»,nel«cannibalesco»; in quali chesianolemodalitàdel'atesa: enonsta, vinavenctiae,nnoeilsfatat oi l vouonteo,lcdheetteoncdhai emdoieatrol vouodtoa:- snaornàacni dchàenvees ruon, mani adèci asiczuoi ranme sepnetecgif cean,neorci no, cipreparanes untraboccheto. E la piéce naonnchèep,eol ai mtenci asoi cnoesìesesmistepereftuenszaio, mnai dqisupaenrdde'è sfrcaiamg l iaangicaomniesnti oteiqnufuanndzoioni l evudoetol aèl oet vaocf ar ato gnol i naqguoannidsoti.coèmpoeqsutualantodossi n' int evsoi cohdi uantoadbisi r seo- , tamInetenntedaianmtagoocibneisntee. ,Brecht ut o ciò emolto ai l mltroiohdasi mi coprsaoracthoeeèni psreogmnaisctoueo,.Lp'imiù,pfaotrtaon: ète dnoci neèl a, sSuiganooprinPioronfeespseorcreh,échdei r l ac ivsui aolcghiài ndoiren vseontl adnetorlaunneal nborasctraodcaobnratesptoe(sr asreablvbaersdi l ' ai nnuimovao g- d er ea alz cei m h ci la' eer nr ctoe im -pd a ai r an o o lva ne e rc e c e ov nid l'h se a eng ,z c u oia e mto n mze ef )e a ; l'i cm ?ca). p n(mis omr a - i stairncotenèocshceonqoufar antlicoornoveensgpoenrimoseunqtaunoesi ntoc, pono-i creDt°i.aagl ter insdpoe.fatcaecnodli foalraòlcoernonpoaartel r.ecital d i ppaogchnaemd i eMntoamjakuosicvaslekij fdai tGo deaml Beent ,i el a,connoavcitàoems-- sveancedonraepl oprsetessesnotatetamdapGo, rei clmc oedt i, si oinbverioneziovni - i gselionzadpi sreév, l aarsci uaarepmresatai.CzioanrmeèeelocBceenel neèteael mfune-- zl ui ot oncahl ee: cri secrht oi ansseel aannocosrtraa, cvhoer acci fi toàsasveraeni cvhae qdeuriqivautaalcnheecnievsseitantazoi dnaei tsepseticdifci aM,oacjaaksoionvastakij: cn ph o oe en n at mo inn i s p s in ai s u rae ap , q ee us ds aecl i B ,i on e s q n au e de ns i o nto n u s h op o veo ata , p ac po n relo z s i . 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N coo os s ntr ì me stoi c a aa tu p p ro si r ,o c a ed c pu o er ss r ì i easfeidmampi eopzerc'ohraédqui sapcl ehtaecteoaol traol s'Etalisbeileon, aobnbgi- l i nManodèil oreol o,faaceunndooSghliafakerespdeaar eeonatra' ucnteB, areuchnt. ut Ae n Ra te otro a m s tro ata p sb e taile r b e, sse ile e fo . ms peoi b,esen aecRheomaRaocmi foascsi foesune luminazione diBalestrini,scenediBgi nar sd litàin i, dt ed as i t io ud d ni a a olc M supn a ei rn ta ioo c Rn o sol ice c «c i:o r to intm tdaale icri n » oo , p cd a hi rae e d p in ig toe ms ns a dbi e e-i utatcilzozloaorediet urnt oi ,iemquaintedriai pli eeslicporelasesivsiudoenlooesppeat-- rolaepersonafisicaefigurafulminaescena, senzaprivilegiarnealcuno.Certosirischiaan cphoei riisl gueltanreericpore,evanleenlcteasi ol fcilmonacrteoto,chmemè' piadràso bfaesletidleioz,ioanme edai rigt eoaret r oc.hMeaNdaenvnoi hdai r edadtoi u: hnoa qv lou is ca to itàn loto ): ml s a pig p elio r t im arcao ato lo v, c d oo u ltna e u v i n o l p ltbe ue b (el r bit ml cil a o so a e, v c bo e ne va dle a m v ae o l-- - scotralatogeddi ai Bpparelezstarinrei i nsocpurai stui rtipoourntabnroanl eovdoecli driceai tneos:teartaitufodrsineaulini npvogi ' foarceileneele'usneprcoito' ul anmgoe,- mzaatofudnzaiol pnuabvabplicoro: upnrioaep. ariprteeaton, zi l iapviùenadpoparepz-- ptaregzail taotoi nsogloraqnupealorte.M, eaqBuaeleloscthrinei lèormihaapsotoi lolohdaccl raecsctoia.tDoinitedciehetroè, riidl motinoimaloo,psteesrcohliicvoenl-- daul t rcoe:amvaanqti dueanl etci l oosefa?nPnuobddaavvrsei, raon, ezipseoni zaa teaEtrop?oiècheades o,ragazziavetedatoesem es p ton ib so e 'h ni a a ml p d iùc an g fao ro rei sl te . sai eceh-f inicaactei sautlproia,anml oseoncoiaqleue: - CBRIZOANNATCINAISSIMA diALBERTOARBASINO noM'appari—senon« tut oamor»—alme- tempestvi o, precsi anela sseengsnibalailtàre.u. 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Peesròo.)cfraitcral omceannttaer,epoatràl psuogleilecBitaeren,vael mvea, as mi c h,oir,ifleusnssioimnicileoméetaqlaugeestad: iafacraoosnasismer-o naebob-monilaanti desi es,uent aanvt'aonltanci, heessiaiannoopmasosartiti gdi i SmcohdOainpa.?Inr tuacnctoh,ieprieVre:).rgi lot ini e lasanaMile Nabuco, continua areLsatmareuusicnao ' mpeordae«rndaapsoctràopanri echae. invecchiare mticaorsltisivimivaom,eepnretes,tlusi snmi goot;uotpaelralosmtraednaof,aaftaa pdeizrioanloanliteanpaurbsbiolicshtni eatdamelaeMnteudsciaale,espedoii ttroar-- gd n ra aiu m rdv i iaz mi. . t a P r tic a oe t sr tòi t c a, g a dra ric ivne a p n da tan i n pe d re d o se d u r l ar pe m ppo me sr t t i o a e ticr io a d m m i p ee r n elo te -- inascoltabile. 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Certiequivoci sAisrteoncoiòdcihsesiperaatis, eoltnaonntosmi sidcacmult:btaai nptoiùvpeeror clehzeoagdgi «i l usei srei teBss»o,peuvbepnairerlaisrtaenctaonneanmatuenrate cdaiapgitogiudnagqeurealuchnioqusee,pnuébdbi licf ao,rsnenozmab.i Imisogpnreo cinisvaecseutituet leot ei l rsautuorpae, sl aos,cuomadeai sgè' ndoesict oon, asperpvali catFoarsl ete,inatfroon).do, sipotrebberochiudere tut i, pineCrqinuaalc. Nheearicnanvoe,rei bt ebaetrroi : csoomloeval enutangivgei,nrsoitàn è(coumnaesneomvitpàre: è) i nunI ne' sgphei l treei nr zaa, gmiàovlet i erif cmataosl t ii ann i fa; bensi mi eo,cinomseegougitnou, lnescoas.esonopoiandate t inrovpI ia lp M oin d a f 'aa ecs t c t i r , oo c rG odon a c u voa nn z c zq o eu r ne te i sn stee o o n bs d igs ee lie vrv t e tain sz oio e n( n ni. Mo tirs n i i sdoi usenadgisrcoodrosolcec),r iitli csouossuaGggoi oi rd«aLnaop»o;mssaibf iilntà dpoaleel mprimico.erighem'impuntosuunrafronto tgi ni (Eesdistee,l minfeadt ioi, ci nreq?uMalcehel omdosi muraa,nudnoa,cvoenr- qteunadclehre1eacnrgaodsicciai d,inenl aamnziaituctoosptaenrtecreerpcaursl doi n' i ne pdueer tsaenctoi ali »sp. Seat iraduenl aacreuvltuurlsaioitnaeliapnsaci o«ol fgr aci ai , udnoatabdaar iei praaradgeol ngicuosntol ,euncaudltusi rpeecrhaezoistanveai nno vg diea ià nn u dn n oe a Ys ei? s a tOiz ts zp a ep , P mu orç a u, up nd niù e m s ge em li'm ro pd plic si ree ni m s te s ree io sn n ste is e, n ti p eo enr laternigti:aletgegriaodoegin«i rmigainodrei »i ?ra. .cNcoonncti-shaegngiodni mGaiunlioonCpaot asnocroic,ol ni aomscmermiroainnecahnecvhiveapme er unnte, metoormnoenimtonmeeledfiaatmmigenlictedai leqtuuereipemrsoangaagri ngiat tJuoyaceli,moad«i Sfatramchilaeyri)». ,comegli epistolari di CBoa G r ldlo a inD vai, oe z s e n si en i nds os ic nu e èn : o P s d r i o ilae u leg s sg t, t is nia c é E o G nno idric m eo, n o P e s ai tcr n ee c d hne i i, dLaanrboa,Cuda.tPalaernchi, Cémuleasi ,sei gsneonraensovinilavneecgegGianioor- gli Pafroept uoroesiaiemseiagveot?i lta altri esempi,tentando dnni i ricaaMccigiaorneen,deol spuobct uotnoscniooqnuseploredgeevl aoCel rhi -i sapveetonaturaB,seaaràrdl oslestey.sMso:ai lucnaseosBemoldpinoi i., Sp eorl ta«Inl toki,tsqcuhi pcoremfeeri beoi rdl inni vsi iamreoa»l s(aapgpguiondtoi E, acpo-, punto)inApocalitici eintegrati. Inquanto pp aDa orsrta o o n su te sni, e s e ni i c tr qc ae u t el ei an ta dte n i t s e sc ta dri t tu i t oq ra uree : ,a i mm no e ie dlto è io pc se r iùi m m im u p s re i- ,cscishti ifo«anlibcehertydaurcahnetemi p'hai ùnancocseesmi edpree rf aat t ioc i (Lebi peertryfomrtuedneas,impre.oEstoi neqsutinatni) ttoraasl paofilorti ploegriai l, pi l lriberfeari deisi Spaonstgaureinicl tisdusi Gcoorszoanaol apusbargisgusi ltatci rae: udniGgoodzimaneon.tCoaonscìhcoempeer schi pi nuobnressi ctaureraaaf af ast coi - natidalsaggoi di Starobinski sulA' natomia delaMeal nconai senzaaverlaniai let a.Ma eseguriei l Ratcli if o i Rantzau. comedelresto m( « d ri e pe l n r re ist ect s inh to ae e ree cq » cu e Fiva le alg n lda t e i) d la i R o —ne C eann a ac gh to n d a ea, e tel Fe m u in o sdc fo oa rg s te uin - l i t i, i dperei rfàaplsiùi v—asedt ai Glmaolémcelicntoocrmhea(cinoessì cuononcci ocm'è uPnorateGseiu, ostizl t riaeaclhmeodndeol s)eospsi ratemanmchoeubneli a,aPncohrtae dFeiealraledtieSraintiguaragliaeddeelelapmiù utestricea. .. eadnezli,reusntao g( la eià v io p itae , pr usm eor t e aan sne at m noo te p nm io è , np p oon o, ai h tro ofa p ar p ne o c o glu ra nli gs fa ap t : ir o sito i i ns èi tedmhapl,oeavel egdgoerel ' anél dtuit ol àTcoomlstoejnuéntuimt mo Sentesno NfatoovistraimppoeMcoelelzziciohnei dmi sicrimatopel rodviefiaramdma' vifeerri edi etichet ed'acquaminerale. .). vUanleaflo' arlmt r aa «Ppei pro.9M0.aLn.z4o.0n0i»0,Schciwiler,Milano,1967, qpuuA neto ds t i a sc g uo ion i p , pfu ro es t r ai nte g om o n n dpa isi, m ti sdie tcro loa pm n p u oin oc v nia a e pa l'o i t c truif ca r h ar ieo it a ini - l liaprensaooaltrledisli' ncfoorrsmouanleg, qirouedl ii bchoeah,rpiarnennodimen-- danonloicl àni qduoavnetai l'al vvaecvuaoddisrasmoltomi naticmismil eordi veogl ili uq d un i u a'e n lcdh viz e aio a nn n oe n s e oe s fma iste , i ec nal c z cn ia od lis ue m ns tpni oa r mi lir dic o oi L c . oo C n S o triba si,v u dio t o o, p da oi l lalemvoicroacdoi nPiie«ronMucalenazroi»ne,i di asleagsnosictiadnezl 5' ia6le-p5o7-, ascileomesptreamrsae: ipmropoonsotecrodmel i,' 6l e3u, aonvnao, i d«efl ai astui »a, sz let oa lin nto c i, Vin e in .p E crea d nt ich zao a A l r 'uan g gioi nc no e e, l i,s q qo u u at eile n lo d c o crh it f i ac eo o s s ind ei q M rv u aa i r èn e- cfohrme i l navuacleel ol ' adl ti Mr aamnzaotnui sntaenqeul i ' daentaercohme«puonnao i- - rem».oNndoonacnc ' èonraudl aadrivaedlai r ere, ,cn' èondadeasspeerec,uhal a- suncaritpoagl oinsatefeslicsisosMimaanzdoinpiro( egraqmumi èaradci lacovolta rl'aor)te, ecoPmaegtailortaanlitàios, eecorvmacehtoetèaliatàunnodi'nemaedtaefl-i- (s teilu ic m as »t ara . e Cti sste isò sir pn a o ,o e s, ca too p , np p eb a r ib r ò alio , t i q vg u ara e ri)f loi as c ta i p hol e ura b a m mi l vao pn lu uc ma tanre e èzodni i n( i nonrefaaltàr luècseemsupfrieciel onstetessuold'aisltrcooMrsoamn-a rdaedel icbaolizuztaadtoecsoendinetel eligteronvzaates(uost iai l em) : oqui teel or - mpersni oi ndeafirbmenapteeenpsaenrcti. piòeorpinetreendd' aer trec,i),ddeel el e duoevl «ascoignlasutemdao»mdaenl ' agriat ere: ui nnma doestrl ae epiùqul uincdi -i dticesin, liaziactriviticeaaintraospfoermraeal'orepl aerpaoinetaci aleai ntorciertài - mpermateanriaeles.Cevoivsaìclhaesodlaenl aecal evsostiàroma aorratisel t.ico (Paool Fossati) d « ta Fi nq lo tou r e be a rale le v b e au N noe an l r pe a o s c li ig c a on — goeil r en re iad n pe e rgo i lo pli a r rio on n an ei l ' sa gc t o tiov zr it ies à les lec ni socr es ao s to pin le r el u» s : i s è vi i l tidà c i h dc eo e ple lo' o q p ur ee iv rs a at lei tud aito i d fr ao irel nla c t se ho e as ta d iln u dz nai

aanmchcericiane iitna al i alcu, snimi pial neesnieteuraopqeui. sani stataadvavqieunaelcihne dp teme eni c pd i o rec snv ute ilu, r ite p i da plm e a l n lee d ns ot ae u l es ng co man m ocv mia imto e ed rc n iaa to li ie c do c i on c md inize pio m lentaa a mm in ec d nnte i-ti llib'inecroividleieesilporigmiceorsiisgtritauztioe daet rl aificuetnosduriaaacmcemt arinei sletraalttivreacahr tei ,,onpopnressi voepdeeri ni l bteaasteroa, ql auleatleeprarintucraipieo daetrbavaecrsoontiinl cuinareema au.milare l a libertàde' spressione ceol enni unouvoevteicmniechzzei,eesssperenszsiaivlme,ei nnftea ti li , 1è6vineu1a8lmmenmte., pd p ar oo s s ep s mr ibie ilev p i r as ei co tu inò t i t èe i e pa d oi o p s v sr uo ib np ile qr ui a s e l t id om a s ro c el r fi,o i etos rma reta a me fil m aenl i pt ce c i a too aml r le ee. iinndqipueensdtoesnptepirirtoodgucl i oanuotol eri dl oerl aocoopoepreeraetivl aecindei smt rai - baut rsieczonaotadoireat at mrezeznatebdileocvounnqpuroe eiest oisrtea u8 n, sauspaelre8 a e pm 1 rie 6p tà im i omn m tealreg ., ci tn o tue n a sde lei r vl ibe an ec dr f t oà e n e t si e vp l a lore d ssts c eivs l lao s oe ro t elam la gv piu o os r ot ial . p prioù napoliViadomenicofontana,108 • tel. 361.605 coma• via taraincli,14 - tel. 877.608 iorino - corso(rancio, 4 - tel.540.475 fgraionrcnoaatendgi tealintra I a tot e ,n t aam»gdreilchirco rmstraasit.modobieancigricaolupo cl l f ra e d voeriflcleoaInncaerdrtal qaurtealoisuqnuataitunrgeonte rc gi n ae gni our nma lme ultipbans gal nfrancobaruchelo i & l &co- is verifica InCerla S e l'IlICOSCIOat ribella mumobti ertonvbisigionnardi sl l i ev l ocouertvbliotouriioonlol irdo n(amenericsadg'anroialn hf u i r l l a mn t somn a'timnteinli g rvooby-aegrteacapan a p o o l o memlo i l mostroverde anonimnpearl°mdeebteeròrna:mdl ea m/ d oa cl » muulo IIll 5in,1O50aClrofrUvSeCrdOe g ag b r oi e l JOeryoOurrf/manoi ney nilbicoelasdtiaerioMui gme, vp ol i rci a: ll on no nl 3i dlunapartia Irtaenncaeist,dcoodgelial'anmi orIe vna r ci a rai o pnatei l1a mIcielnzcal mt a nr i / ee s t eobala•!animes:0 ocnelagsrteinoeml a ael eus ls oa nnd sr o sema ¡p'larouespraednctlan nv i en gc e r n i r odl «mpaoriali siniscalchi admoponoi t°sdueicl eidnioevi gv l oo r gy i o-aget a r i pmaailarei rrd/e1r6eraa dn a o n nt o pevrmergeinteer) sbpeutmtacaonol o6tb8uts c a i l ad oo Cveiarogine twaroriteInatloovertiinterr a on t no r ed o vergine Jota/ro/areèlucite c r o n a c h e NOal prodotocni ematografci oni dustrai el alchienSliItlibero Laformatadl Op.cit. vioffreunasintesideltemioiùattuati d'architet ura,urbanistico, arti visive, crl liceedestetica RodazIonotSantaCasale dl PosIllpo, 14 80123Napoli Il Cafè brime:traie,let erario e satine.) unnumeroL.1.000- abb.annuo(6 nn.) L. 5000 abbonamentoperl'estera L.7.000- C.C.P.14863 Nel n.1-1968(febbraio): A.Adamov, I l SignorPrudenzio farsaclownescoinunatto e23quadri Roma• Via delaCroce,67 160paginea colori ilustrato

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